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The family saga of Robin Hood continues in this new musical adventure by award-winning playwright and composer Stephen Gashler. Imagine The Scarlet Pimpernel meets Les Misérables with a heavy dose of humor and sensational music inspired by Celtic Woman, River Dance, and Two Steps From Hell.
Paradigms shift as trusted kings become tyrants, heroes become villains, and “stealing from the rich and giving to the poor” no longer seems ethical. When England falls to mobs and chaos, Aspen, the free-spirited daughter of Robin Hood, must do what it takes to save England from endless civil war.
Type of Show | Musical |
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Genre | Fantasy |
Length | ≈ 2.5 hours |
Address | Angelus Theatre (165 N Main, Spanish Fork) |
Dates | Jul 17 - 29, 2023 |
Fantastic show!! We loved it!Michelle Caringella
The singing was impressive. On pitch and expressive!R. C.
Enjoyed the humorous parts of the show as well as the acting.Melissa H.
Dan FarrGreat atmosphere, excellent musical with great writing and music. Also delicious popcorn!!!
Jared FawcettVery funny eas laughing most of the time
The music was fantastic, the acting was great, and the humor was great. Beatrice and Robin stole the show with their well-played wit. Scarlett had great emotional range, playing comedy and anger equally strong. And though Joan didn't have as many lines, the actress was dynamic and captivating every moment she was on stage. Aspen and Hawk were just charming. And I cannot emphasize enough how much I enjoyed the music and want to listen to the songs again.Elizabeth Ludwig
AWESOME cast! Super fun timeTanner Wilson
Lots of fun as always. The Gashler Team are wonderfully talented on stage as well as behind the scenes. The cast and crew are clearly dedicated to to their craft. There is certainly no shortage of performers, during the curtain call the deck is packed solid from left to right (this is a good thing). A special shout-out to the charismatic Matthew DelaFuente. Although his roll for this production was small…is stage presence is commanding and would no doubt have “killed” as the romantic lead character Hawk! (no offence to Sir Ben Spencer)Kevin S. Cottrell
Absolutely loved it! Loved the story, Stephen Gashler is an amazing playwright/composer! Everyone had beautiful voices, the songs were beautiful. Loooved Michael Mehner as King Richard! He did an outstanding job! Will recommend to everyone I know!Kim Meyer
I appreciate people like Stephen and Teresa Gashler who continue to produce healthy moral standards in entertainment. I think we hlave all had enough amorality from large entertainment organizations. I love Stephen's characters because they are true to life and believable. I was so grateful to see charactors that can make and keep their promises, charactors who show a healthy family perspective, and children who are cared for and protected by adults.Rachel Smith
Some of my favorite music from Stephen Gashler is in this showRuthie Cobb Higley
I really enjoyed a story that continues after the regular legend ends and has some surprising turns! It was a great mix of comedy and drama. The bumbling guards were some of my favorite comic relief!Lisa King
The Lady of Sherwood is a sensational musical filled with adventure and romance! The actors mesmerize you with their beautiful voices and enchanting personalities.You will leave the theater smiling and singing! I highly recommend it!Chelsea Lynn Tramell
The lead role, the lady of Sherwood herself had a phenomenal and unforgettable voice that really shook me!T. Fuddrucker
The directing choices depicted great symbolism that really brought me into the musical! I felt connected to the characters' struggles and emotional battles.M. Hansen
I loved this take on Robin Hood. The music and dancing was great. I was really impressed with the singing.Ashley Francis
Music and story were great.Granita H.
✨ I loved everything✨ also I gave Robin hood Cheetos during it he's so coolCasey B.
The set design was the best I’ve seen yet!Kirsten F.
I really liked the story, it was very entertaining :)Katie P.
The show was very funny and I like that you could see the actors own touches on the show. I really liked the part at the end of the first act where the three parties were singing in the three parts of the stage.Jamie G.
The script was hilarious and the lead singers were amazing.Chela W.
I loved the storyline, the acting and singing.Julie W.
Great environment, great show!!Elmer V.
The music was very catchy.Alinda S.
A fantastic show. A beautiful showcase of song and dance. The music is inspiring and the characters leave you in a fit of laughter. I highly recommend seeing this show while you can.Emily Porcelli
Such a fun show!!!Michelle Caringella
This show was literally so fun! What a great show to introduce ourselves to this theater! Been living here for 4 years and we spur of the moment decided to go see the show. Loved every moment and we will definitely be back to see another oneBronwyn Worwood
The classic Robin Hood story usually ends with King Richard returning to England, deposing John, and setting everything straight. The Lady of Sherwood picks up where Robin Hood, who is now a ghost, laughs at the absurdity of that story. He explains that, in reality, not only was Richard as bad of a king as John, but Richard sent an army to invade the Sherwood and wipe out Robin Hood and all of his men.
It's now a decade or two later, and the "merry women" have carried on the legacy of their men. Aspen (Robin and Marian's daughter) is just beginning to fill her father's shoes by making her first swashbuckling appearance in Nottingham. She defies the new sheriff (Hawk, the old sheriff's son), the king’s new taxes, and states her intention to avenge her father be deposing Richard and seeing that no one takes his place. Aspen and her friends muse about a time in England, before the Norman invasion, when there were no kings. But Aspen is different from her father in a major way: she's a terrible archer and fighter. Marian, not wanting to lose her remaining family member, forbade Aspen to learn the arts of war. Naturally, there's tension between the two.
Meanwhile the daughter of Will Scarlet (the self-proclaimed "Lady Scarlet"), who is among the oldest of the second generation of the Sherwood and holds the office of "chief yeoman" (i.e. the new Robin Hood) has a similar vision to Aspen. For years she's been enlisting peasants and gaining favor with rebellious lords, organizing a revolt against the crown, and the time is almost ripe for the attack. However, her vision has one significant difference from Aspen's: Scarlet wants to be England's new queen. She believes utopia will follow as she vengeance against justice against the rich and justice for the poor. Aspen is skeptical and fears that Scarlet will become yet another tyrant.
After Aspen's public appearance in Nottingham, Hawk, fearing that it's time to "cleanse the Sherwood" again, consults with King Richard and is able to procure five-hundred men for the task. But Hawk is not bloodthirsty. He seeks out Aspen and warns her about his army, begging her to tell her fellow bandits to swear fealty to the crown to avoid another blood bath. As the two contend (almost flirtatious), it's obvious to Aspen's friends that there's a spark between them. Aspen thanks Hawk for the warming and, in turn, warns him about Scarlet's plans for revolution. She and her friends then force Hawk to join them in the Sherwood for dinner and entertainment before robbing him (having learned this trick from her father). That evening, Aspen and Hawk part with a growing love-hate relationship. They fantasize about a new country that could be big enough for both of them.
When Aspen returns to her forest home, she's taken captive by Scarlet's women. Marian and her friends are also being held at sword-point. Scarlet learned from her spy that Aspen betrayed their plans to Hawk. Thus Scarlet orders for the attack on Nottingham castle (where Richard is staying) the very next morning (before Hawk can form a counter-strike). While Aspen is left behind, Scarlet leads an impressive mob. Due to treachery from the inside of the castle (part of Scarlet's plan), the mob is able to walk right through Hawk's army and take Richard by force.
By the time Aspen escapes from her captors and makes it to the castle, Scarlet has already been declared queen, and Richard has been locked in a tower. As Scarlet speaks of a new age of equality, Aspen, sensing that Scarlet is being used as a puppet, declares to the crowd, "Can't you see you're being deceived? This will not end as she says." Scarlet declares Aspen a traitor and orders her arrest. Aspen and her friends escape. Hawk, now forced to bow to Scarlet, looks wistfully to the Sherwood.
Of course, Scarlet's reign turns out to be far more complicated than she envisioned. In attempting to systematically "steal from the rich and give to the poor", she finds that the peasants are never satisfied, the lords resentful, and the coffers are drying up quickly. To sustain it all, she has to raise taxes even higher than John or Richard did. Desperate for help, she turns to Hawk and tries to seduce him into joining her as king. Hawk refuses, insisting that he's needed elsewhere. He begs Scarlet to let him seek out Aspen in order to supposedly quell her rebellion. Scarlet becomes suspicious that Hawk is in league with Aspen (or worse, has feelings for her), especially after she discovers a scroll on his person with ideas about limiting the powers of kings (the first draft of the Magna Carta, inspired by Hawk’s brainstorming of a new country with Aspen). Scarlet has Hawk locked in the tower.
Scarlet believes that Richard has more money that he's hiding from Aspen. She summons a torturer for the purpose of loosening Richard's tongue and breaking the resolve of Hawk. The torturer turns out to be Aspen in disguise, who helps Richard and Hawk escape (but not before having fun with her disguise and coercing Hawk into confessing his feelings for her). The rescue party escapes to the forest, where Hawk and Richard are introduced to the "Nation of Sherwood". Aspen and her friends have been recruiting disaffected people from Nottingham and forming a resistance to Scarlet’s regime. In this "nation", there are no leaders, but everyone must swear to follow the code of chivalry and protect one another. It's a joyful place, though it's soon darkened by the news that Scarlet's army (Hawk's former army) has tracked them down and is camping nearby.
Hawk and Aspen's friends train everyone in combat as they get psyched for battle. When everyone else has gone to sleep, Hawk and Aspen confess their love for each other and talk more about the new world they envision. But the morrow still looks dismal, especially when news comes that one of Aspen's best friends has been kidnapped by the army. After Hawk goes down for the night, Aspen faces the dark night of her soul. She's comforted by Marian and the ghost of her father. Her parents express their confidence in her to lead the people. They place Robin's famous feathered cap on her head as she's given "the mantle of the Robin Hood".
The next morning, Scarlet and a small army invade the Sherwood (with many more troops surrounding the forest). Those on Aspen's side boldly march forth to meet them. An unexpected battle of wits ensues, in which Aspen runs intellectual circles around Scarlet, sewing doubt in the minds of her followers, and painting the absurdity of the situation. Scarlet order’s her army to attack. But to Scarlet’s chagrin, the captain of the attack orders the knights to retreat and never look back. The captain takes off her helmet, revealing that she’s Aspen’s friend.
With the tides turning, many people defect to Aspen's side, especially when King Richard comes out from hiding. Richard has been touched by the spirit of the Sherwood. He explains that he never intended for Robin Hood and his men to have been killed. He had been at Jerusalem at the time and had heard inflammatory reports from his lords about the bandits of Sherwood. He had only been trying to keep the peace. He swears that he will be a better king then before, and eventually even Aspen kneels before him.
At this, Scarlet's right-hand woman, loathing the idea of Richard returning to power, shoots an Arrow at Richard, shouting, "You killed my father and brothers." A dying Richard doesn't protest. In fact, he commends this woman for her bravery and orders that she be paid ten shillings. When Richard dies, he has a warm reunion with Robin Hood.
Immediately a cloaked man enters the forest, surrounded by knights. This man has been seen several times throughout the play giving money to Scarlet. He reveals himself as Prince John. He pays Richard's assassin much more than ten shillings and thanks Scarlet for carrying out his plan. Scarlet didn't realize how much she was being used. John is the true commander of the army, and this situation has become the perfect opportunity for him to regain the kingdom. As John takes the crown and throws Scarlet aside, he says that he will now finish what Richard began, putting an end to the bandits of Sherwood forever. But the ghosts of Richard and Robin Hood will have none of this. They scare him out of the forest. As he runs, John concedes, saying, "You stay in your country, I'll stay in mine."
The friends of Sherwood realize that they failed to save England. Hawk says to Aspen, "but you saved me." They muse that while tyranny may never end in their lifetimes, they can always find peace in the nation of Sherwood, which isn't so much a place as a belief. Robin Hood finishes the play by expressing his confidence in the wonderful things his children (his true legacy) are going to accomplish as Aspen and Hawk resolve to bring their revolutionary charter into reality.
The family saga of Robin Hood continues in this new musical adventure by award-winning playwright and composer Stephen Gashler. Imagine The Scarlet Pimpernel meets Les Misérables with a heavy dose of humor and sensational music inspired by Celtic Woman, River Dance, and Two Steps From Hell.
Paradigms shift as trusted kings become tyrants, heroes become villains, and “stealing from the rich and giving to the poor” no longer seems ethical. When England falls to mobs and chaos, Aspen, the free-spirited daughter of Robin Hood, must do what it takes to save England from endless civil war.
Aspen | female, soprano, daughter of Robin Hood and Marian, confidant, light-hearted, brave, reckless, a brilliant mind but a lousy archer |
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Hawk | male, baritone, son of the sheriff of Nottingham, principled, fiercely loyal to the crown |
Lady Scarlet | female, soprano, daughter of Will Scarlet, hungry for fame and glory, a firm believer that the ends justify the means |
Beatrice | female, soprano, one of Aspen's best friends, course, tough, sarcastic, a great fighter |
Isabella | female, alto, Aspen's other best friend, intellectual, a peacemaker |
King Richard | male, baritone, the greatest of knights and lousiest of kings, lost in the past, loves food |
Robin Hood | male, bass, Aspen's father, a ghost, lighthearted, unfiltered, reckless |
Marian | female, alto, Aspen's mother and Robin Hood's widow, wise, good, a survivor of trauma |
Mabel | female, alto, Lady Scarlet's zealous righthand woman |
Meg Adale and Gisella Stutley | female, Scarlet's not-so-reliable guards |
Merry women | The courageous daughters and wives of the late Merry Men, highway robbers, revolutionaries |
Chorus | Peasants, knights, lords, and ladies |
Learn how to bring this show to your theater or school:
Aspen Hood |
Sophie Rose
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Hawk |
Garion Jorgensen
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Scarlet |
Lori-ann Cunningham
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Beatrice |
Ashley Porcelli
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Isabella |
Jaycie Stewart
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Robin Hood |
Darin Erickson
|
King Richard |
Michael Mehner
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Lady Marian |
Virginia Duran
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Lady Eleanor |
Chelsea Lynn Tramell
|
Joan Little |
McKenna Miles
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Meg Adale |
Robin Henry
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Gisella Stutley |
Malori Pratt
|
Prince John |
Jordan Hendrickson
|
King Bob |
Lincoln Stewart
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Chorus |
Rochelle Rackliffe
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Chorus |
Kelli Stevenson
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Chorus |
Lily Kate Christensen
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Producers, Writers, Composers |
Stephen and Teresa Gashler
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Additional music and lyrics |
Ryan Tolman
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Director |
Jordan Hendrickson
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Assistant Director |
DeAnna Ashworth
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Stage Manager/Sound Technician |
Ruthie Cobb
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Music Director |
Lori-ann Cunningham
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Choreographers |
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Set Designer |
Garion Jorgenson
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Assistant Set Designers |
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Set Painters |
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Lighting Designer |
Austin Ray
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Hair, Makeup, & Prop Designer |
Ruthie Cobb
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Assistant Prop Designer |
Darin Erickson
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Costume Designers |
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Assistant Stage Manager |
Jenny Mattice
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Light Technician |
Stephanie Featherstone
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Spot Operator |
Galen Ashworth
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Theater Owner |
Curt Gordon
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